While composing these pieces, I focused on the 20th and 21st-century composition techniques in three main concepts: Serialism, Microtonality, and Noise. You could almost say the Italian Avant-garde of the last century had it all: noise, new music, and the math of Leonardo of Pisa, later known as Fibonacci.
In making "Composition For Two Oscillators And Two Tape-Recorders" I focused on microtonality. The basic concept I like and play with is when tones get close and start to interact with each other, they happen to move almost by themselves. Like this, beautiful tones and harmonics seem to occur that aren't even played and the piece becomes a living creature. Tones moving in microtonal steps makes this work with more detail and almost imperceptible movement. This is all enhanced by the two tape-recorders placed in a way so they work as a big and slow tape delay unit. Because of the distance between the two recorders the pitch shifts, this is again fed back into the recorder to hear the tone again, and again each time drifting more and more. Meanwhile, the two oscillators keep playing into the recorders too. This results in an ever-ongoing and evolving process. It is a very intense listen but when you go for it, you get a sense of peace and a state of trance, let alone the wonderful world of timbre and harmonics and layers you enter.
"Eert Uw Vader En Uw Moeder" is originally an old Mongolian recording of the biblical text "Honor Thy Father And Thy Mother" (so it says, my Mongolian is pretty bad..) Here I played with the spacing of sound and silence and the theatrical effect this gives to the message. A fun little detail, the organ chords are, in fact, from an electric Wurlitzer Piano.
As I mentioned, I love serialism in my compositions. "Hooray For Today" reminds me of the serial "collage" like compositions of the last century. Most of the parameters are configured by serialism, like, whether there is sound, noise or silence, far away or close by, play lengths, effects, one or multiple layers of sound, etc. This is all derived from a birthday card I got, that is filled with lines with different sized dots on it. In practice, I gave every line a different parameter where every dot means a different configuration of that parameter.
The "Italian Division's" on the other hand was a bit more complex. The foundation consists of two parts starting with 5 different noise sources which all had different handlings and operations. Using the Fibonacci sequence I was able to divide and structure it into sound and/or silence. Building onwards by using different tools to contract, expand and granulate all the noises to a piece full of beautiful noise, cracks, and sounds in every direction. If you listen carefully, you could even say that part 1 is about space, part 2 locks in grooves and part 3 embraces harmony and melody.
Enjoy.
credits
released July 23, 2021
All compositions and music written and played by Raoul van Herpen
Mixed by Raoul van Herpen
Mastered by Jos Smolders at EARLabs Studio for Creative Mastering
www.earlabs.org
supported by 18 fans who also own “Italian Division”
Varied sonic collages, colorful as the eye-grabbing album art, twist and turn throughout Rossetto's "Fashion Tape." It's a delightful release that combines the artist's intimate drones with an almost playful plundering of samples and sounds. jckmd
supported by 18 fans who also own “Italian Division”
Incredible display of control, discipline, and a deep knowledge of the resonant properties of stringed instruments. Virtuosic command of spectral variation, bow pressure, and the infinite distance between the bridge and the fingerboard. Highly recommended for snooty academic french school spectral music fans and rude texture-hungry harsh heads alike. Estlin
supported by 17 fans who also own “Italian Division”
The title of this cassette is great, thought provoking and blackly comic bit of alliteration right there. The tracks themselves are no less intriguing either. My personal impression of these four string based improvised (I'm assuming) pieces is that of living sound that somehow escaped the confines of their respective instruments, instinctively and warily calling to someone recording their own noisy and fully independent emanations. Pretty awesome, if you ask me. Ben Harris
Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs. Bandcamp New & Notable Sep 16, 2023
Composer and improviser Erik Schroeder (Ask The Trees) is joined by Legendary Pink Dots' Edward Ka-Spel on this spectral experimental work. Bandcamp New & Notable Oct 25, 2022